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To this mostly male sub-culture, Abhishek Chaubey and writer Sudip Sharma add a female element in the shape of a woman who escapes her oppressive family along with a child victim of rape.
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The 1970s-set Sonchiriya is an elegy in the mould of Sam Peckinpah’s films to an era of men bound by a code of honour and working beyond the confines of conventional law.
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BharatPe co-founder Ashneer Grover’s brash behaviour may make for good TV but not great leadership.Caught in fishing nets, sea snakes are dying along the Malvan coast of Maharashtra.Strictly situational with no real commercial appeal. A kind of number which is basically put together for the purpose of aiding the storytelling instead of playing a part where the commercial aspect of the soundtrack is enhanced, this Sukhwinder Singh sung number just about passes muster. Last to arrive is an out and out situational number 'Saanp Khavega' which is basically about the 'survival of the fittest'. He is supported by Rekha Bhardwaj and while there is some kind of energy that comes in when the song is being played, one waits to see how it is picturised for the big screen.
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First upbeat number of the soundtrack, this one has Sukhwinder Singh at the helm of affairs and his free flow mode of singing does aid in bringing good vibrancy into the proceedings. Next to arrive is the traditional number 'Naina Na Maar' which has its lyrics recreated by Ashok Mizaj Badr. That said, despite Arijit on board, this one too is basically quite niche and for a select audience. Had this song been promoted smartly and aggressively, it could well have covered some kind of distance.
The sound of the whistle that accompanies the song is again in line with the Western country music and you like the intoxicating feel that comes with the core of ‘Ruan Ruan'. While yet again there isn't any commercial value that the song comes with, it should play well as a part of the film.Īrijit Singh comes on board for 'Ruan Ruan' and pretty much sings this one in a style that is actually synonymous with that of Vishal Bhardwaj himself. This time around though it is Varun Grover as the lyricist. This one is a slow moving soft number and has a vintage 70s feel to it which is in line with the kind of songs that were created by Gulzar back then. Rekha Bhardwaj, who definitely comes up with a song or two whenever Vishal Bhardwaj is the composer, goes solo for the title song 'Sonchiraiya' which is later heard in the 'reprise version' as well. Not that this one, or its 'remix version' that follows, would be a chartbuster but in the context of the film it plays its part well. Moreover, there is this distinct Vishal Bhardwaj element that comes into play for 'Baaghi Re' which sets it apart from the other soundtracks that you hear in Bollywood. This one has a haunting feel to it which goes well with the theme of the film. It is a Western country music beginning for Sonchiriya as Mame Khan brings on an 'alaap' for 'Baaghi Re' even as a guitar plays in the background. However, Abhishek has done that by bringing on board composer Vishal Bhardwaj and lyricist Varun Grover.
Still, with the Chambal setting of Sonchiriya, you don't quite expect music in there. Yes, director Abhishek Chaubey has incorporated music in his earlier films like Ishqiya, Dedh Ishqiya and Udta Punjab.
It is in fact surprising to find a soundtrack for Sonchiriya.